What
Octavia Butler does in Kindred is
break the trope and genre of time travel in many ways. An author or a filmmaker
would have to have an actual device to make their character travel back and
forth through time. Yet, with Kindred
it is almost a physical ability, a trait within the DNA of Dana allows her to
jump back and forth to the past in order to rescue Rufus. In the early reveals
of this power, both Dana and Rufus lack the ability to explain what the action
is, from Dana’s perspective; “I don’t know how it happens-how I move that
way-or when it’s going to happen. I can’t control it.” What she knows is little
and that she can feel it happening, the sense of nausea overcomes her and she
fears what is going to happen. Both Kevin and Rufus witness Dana’s time
traveling ability and describe it in similar ways, “(you) vanished. Just
disappeared. And the reappeared later.” Rufus goes on to describe the action
further, “”Disappeared? You mean like smoke?” Fear crept into his expression.
“Like a ghost?”” Although the characters view the physical act of time
traveling and disappearing then reappearing in different ways, one thing binds
them all and that is fear. The fear of the unknown within the characters is
something that is steadfast within the genre. The forward thinking of science
or the unknown is common to time travel, but having this kind of intimate form
feels fresh and new to a novel. Butler uses this to her advantage knowing that
the technique has been used before but not in this way. It creates a more
intimate relationship between Dana, Kevin and Rufus. The unknown is also
frightful to Rufus’ parents and they clearly can’t handle what they don’t
understand. I can only imagine seeing a stranger appear with a child, rescue
them and then vanish into thin air. Kindred
is doing something special with time travel, how else does it break the rules
with the genre and what does it mean for it in general? Should audiences and
readers begin to expect more out of these kinds of stories?
Thursday, April 10, 2014
Monday, March 31, 2014
Who is to Blame?
When the class was discussing Flannery O’Connor’s A Good Man is Hard to Find the question
of morality kept creeping into my thought process. We thoroughly fleshed out
what it meant to be a moral and good character within the confines of the
story. Yet, a question loomed for me, who would be considered the “good”
character when looking at the grandmother and the misfit. More so, does the
reader’s upbringing really come into play when making this choice? Personally
and it sounds terrible to write it but I would have to side with the misfit in
the argument. Although this character is a known serial killer and has the
entire family murdered in the woods, there is something about him that displays
that he knows what kind of person he is and is okay with it. The misfit is
comfortable with being honest within himself and to the outside world. On page
128, “my daddy said I was a different breed of dog from my brothers and
sisters.” It is this recognition in being different that sets the misfit apart.
Coming back to a previous point of someone’s upbringing determining how he or
she would identify goodness; my personal stance is that of a person who finds
racism to be the lowest of the low, so to speak. The grandmother identifies
herself as one of a southern “bell,” she acts higher than might in particular
to the poor and that of color. This sense of entitlement is something that
identifies the character especially when setting herself apart from the rest of
normal people. An example being when she reflects upon her past romantic
relationships, citing the reason she didn’t marry Teagarden due to the fact
that he “just brought her a watermelon on Saturday.” Also that she should have
due to the fact that he had “bought Coca-Cola stock when it first came out.”
Money again is something that the grandmother uses to set herself apart.
Another
topic that was not touched upon during class was that of the grandmother being
to blame for everything that went wrong in the context of the story itself. Without
the grandmother being present the trip wouldn’t have been planned, the house
that they tried to find wouldn’t have been there so the crash wouldn’t have
happened, and she wouldn’t have recognizesd the misfit outloud thus leading to
the eventual killing of the family. Without her, everyone would have survived
but because of her sheer existence
Friday, March 28, 2014
A Good Man Is Hard To Find Because He Doesn't Exist
The conclusions
we reached in class about the characters was great. It really helped show what
an incredibly well-written story this is and how great of a writer O’Connor is.
What really grabbed my attention out
of all of this was the title, because it seems to sum up the entire story. What
then could it be referring to? Does it mean that when you do find a good man
(assuming it is The Misfit), there’s something about him that hinders this quality
(like being a murderer)?
But can we call The Misfit a good
man? All of the characters are not likeable; these fake people whose pretense
or labeling of “good” just highlights how far they are from being good, and who
earn almost no sympathy from the reader by the end. The Misfit however does
seem like the best one out of the bunch. His demeanor, his choice of words, his
actions all distinguish him as being a gentleman of sorts. The first thing The
Misfit says is “Good afternoon” (O’Connor 126). Then the reader learns more
about him and his story. Yes he kills people, he kills the family while he’s
talking with the grandma, and yet one could argue he is a “good man”. He talks
about Jesus resurrecting the dead and says, “If He did what He said, then it’s
nothing for you to do but throw away everything and follow Him, and if He
didn’t, then it’s nothing for you to do but enjoy the few minutes you got left best
way you can...” (132). Later he says, “I wisht I had of been there....if I had
been there I would have known and I wouldn’t be like I am now” (132). What this
tells me is that there was hope for The Misfit; he seems to imply he doesn’t
like the way he is and he could have been different – good. Given the way
things really are though, I’d say The Misfit isn’t a good man.
There are also the grandma’s requirements
of being a “good man”. It could be quite comical, if it weren’t so tragic, at
just how backwards the grandma is portrayed. The laundry list of traits we came
up with for the grandma make her anything but a “lady”. Therefore, with our
example of what a “lady” is, the grandma really destroys the entire concept (on
top of calling Red Sammy a “good man”). The reader’s judgment of what’s good
and bad is compromised because our one example is faulty. Furthermore, when the
grandma says to The Misfit “...I know you’re a good man at heart. I can just
look at you and tell”, her words hold no value. (128)
Adding to this, even The Misfit
disagrees with the grandma when she calls him a good man. “‘Nome, I ain’t a
good man,’ The Misfit said after a second as if he had considered her statement
carefully...” (128) What’s especially suggestive in this response, as pointed
out by O’Connor, is that The Misfit thought about what she was saying. What all
this tells me is that the point of the story may be that there is no such thing
as a “good man”. Perhaps the only hope for the story was The Misfit, but nothing
can change the way he is. Therefore, “a good man” doesn’t exist in the world of
the story. Translating this then to the real world, I wonder what O’Connor is
trying to say?
Work
Cited
O’Connor,
Flannery. “A Good Man Is Hard To Find”. The
Complete Stories. The Noonday
Press: New York. Moodle. PDF file.
Thursday, February 27, 2014
I would like to try and touch on an
interpretive problem that was brought up in class that may cause some
controversy. In class we talked about how in the “Narrative of the Life of Fredrick Douglas”,
Fredrick portrays a lot of physical violence against slave women and leaves out
any real detail when there is a man being beaten. On pg. 51 he vividly
describes his aunt being whipped until he entire back was gashed and bloody. He
says as well that “it the first of a long series of such outrages, of which I
was doomed to be a witness and a participant.” (pg. 51). And he does tell us
about how he witnesses many more but fails to tell us in detail of his moments
of weakness (except for once briefly). Why is Douglas hiding this from the
reader? It is not until the tides turn on the “slave breaker” Mr. Covey that he
goes into detail about his experience.
We
also see this this same literally problem when we read Harriet Jacobs. She
failed to show any violence against women in her story. This brought up the
question for me that maybe both Fredrick, and Harriet is trying to keep their
genders dignity. I believe this because they both are hiding one genders
hardship from the reader and almost refusing to show the other side. Is this an
attempt to try and give strength to one gender over the other?
In the “Narrative
of the Life of Fredrick Douglas” I believe that he might be trying to play
himself up for this big finale where he kicks the shit out of the “slave
breaker” so it may or may not be an attempt to set the reader up for this. That
way he is portrayed as more of a hero to all of the slaves, especially all of
these women that have been beaten so badly.
I also wanted to
play around with the quote, “I now resolved that, however long I might remain a
slave in form, the day has passed forever when I could be a slave in fact.”
(pg. 113). This quote took place after he had beaten up Mr. Covey and I believe
that this is completely linked to literacy and Fredrick’s ability to read. Earlier
in the book Mrs. Auld began teaching Fredrick the A, B, Cs until Mr. Auld found
out and said: “if you teach that nigger how to read there would be no keeping
him. It would forever unfit him to be a slave.” (pg.78). So this physical
interaction with Mr. Covey was sparked by Fredrick’s knowledge of literacy and
how it is the only thing that gave the white man the power to enslave the Blackman.
And because Fredrick understands that he is able to overcome his fears and
stand up for his freedom.
Tuesday, February 25, 2014
Ignorance Is Bliss
A large section dealing with Douglass’
transition to being able to read really stood out to me, specifically what he
experienced. It begins with “The reading of these documents” then ends at “and
moved in every storm”. (Douglass 84-85) I broke down the passage into five
sections: 1) his understanding of slavery; 2) his newfound anger from this
understanding; 3) the understanding of Master Hugh’s (ironic) words and the hatred
of knowing; 4) the envy of what he was before; 5) his new general view of the
world from this knowledge.
From this, what really stood out to me
were sections 2 and 3. I found it quite tragic that this gift he was fortunate enough
to receive caused him so much pain at first. He writes “that very
discontentment whish Master Hugh had predicted would follow my learning to read
had already come, to torment and sting my soul to unutterable anguish” (84). When
we as children learn something as simple as how to read, I think Douglass’
description is the last thing to come to our minds. Of course, he was a part of
a completely different time. But words like “torment” and “anguish” just struck
me (no doubt well-thought out to make the reader feel exactly this). This
passage not only highlights the things we take for granted, but also the
incredible struggle Douglass went through, as well as perhaps other slaves. It seems
that no matter what happened to them, they never seemed to get a break. It’s truly
heartbreaking, seeing the world as they knew it to be through their eyes.
He continues with “As I writhed under
it, I would at times feel that learning to read had been a curse rather than a
blessing” (84). Upon reading this and the lines that follow I thought of Adam
and Eve once they ate the forbidden fruit; they understood everything, and
ended up suffering for it. “It had given me a view of my wretched condition,
without the remedy. It opened my eyes to the horrible pit, but to no ladder
upon which to get out.” (84) He has this knowledge; great, now what? He can’t
do anything with it, not yet at least, and all it has left him is seeing his
situation with more clarity and the ability to express his feelings. I’m sure
that when Master Hugh said “As to himself, it could do him no good, but a great
deal of harm. It would make him discontented and happy” he wasn’t completely referring to what Douglass
ended up going through, but it’s sad how he ended up being right.
Then Douglass points out the frustration
of being able to think for him. “It was this everlasting thinking of my
condition that tormented me.” (84) Knowing nothing but how to be a slave (which
for him was just knowing how to live), and then all of a sudden being able to
understand not only what but also that he didn’t understand. Douglass then
writes “In moments of agony, I envied my fellow slaves for their stupidity.”
(84) However, with the saying “ignorance is bliss” in mind, he wasn’t even
happy when he was ignorant. This passage really shows how miserable life was
for slaves; for Douglass it’s a lose-lose situation, which works to highlight
even more the terrible experience he went through.
Douglass,
Frederick. Narrative of the Life of
Frederick Douglass, An American Slave. 1845. New York: Penguin Group, 1986. Print.
Subscribe to:
Posts (Atom)